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The artist Kiki Smith has made prints for every page of the poetry, as well as the half-title page and a portrait of Emily Dickinson on the frontispiece, 206 images in all. These are original prints. Kiki Smith has made the matrix for each image. She scratched lines in the emulsion of photographic negatives with an etching needle and other sharp-pointed tools, thus allowing light to pass through them in the making of photopolymer plates for letterpress printing.
And here is a description of the book, a work of art in itself.
The type and polymer plates were printed by letterpress in black ink for the type and red-brown ink for the plates. The paper was made by hand at the Twinrocker mill. The sheets are hand-sewn with linen thread over linen tapes. The binding has a red-brown goatskin spine, with title stamped in gold, the boards covered with tan cloth, the front cover embroidered with red thread for title and author and artist names. The book is presented in a slipcase.
Goodness, my senses are overwhelmed by the elegance of this work. To read more about the collaborative process used to make Sampler visit Arion Press here.
The other two examples of Kiki Smith's collaborative work with poets are two books published with the poet Mei-Mei Berssenbrugge. Berssenbrugge has a Portland connection. She holds a B. A, from Reed College where she graduated in 1969 after first attending Barnard College in New York.
Endrocinology was published in 1997
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and Concordance in 2006.
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To round out this post and to add more poetry to your life here is a video of Mei-Mei Berssenbrugge presenting poetry at lunchtime ...
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