A Girl in Peasant Costume, Seated ca. 1875 La Petite Tricoteuse, 1875
There must be an infinite number of possible thoughts on any one piece of art, but we will only cover seven, a weeks worth. For 52 weeks, through 2009, you will see a work of art from the Portland Art Museum* and a riff each day inspired by it – prose, poetry, photos, video, thoughts or ponderings.
Tuesday, January 13, 2009
True to Life
Looking at an artist's works, what may be the most true to life, drawings or paintings? An important question, especially when considering the late 19th century academic artists like Bouguereau. Spending much of his life creating works such as Pieta only to have it repudiated as too much like Michelangelo, Bouguereau seems to have turned to idealized peasant life –– paintings that would sell and also keep his work accepted by the Academy. His paintings are beautiful, extraordinary views of a life that others could choose to hang in their homes. Can we look to his drawings and see how he might have chosen to paint if he weren't painting to a paying clientele? You be the judge, what happened between his drawing and painting?
A Girl in Peasant Costume, Seated ca. 1875 La Petite Tricoteuse, 1875
A Girl in Peasant Costume, Seated ca. 1875 La Petite Tricoteuse, 1875


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